Film Maker Biographies
Bestall has the distinction of being the first filmmaker to win two coveted Grierson Awards for Killers Don’t Cry (2001), which documented the process of reforming dangerous Numbers members in a notorious South African prison. Among his other international awards are: a Peabody for WGBH Frontline’s Apartheid’s People (as co-director); and the Best Factual Moment on British television in 2005 for The Long Walk of Nelson Rolihlahla Mandela, a series he produced, directed and filmed. In 1985 he was named the Television Cameraman of the Year by the Royal Photographic Society. He has been a regular contributor to Encounters and has mentored filmmakers on the Close Encounters Laboratory.
Valley, a thoroughbred Kaapenaar, is a UCT Honours graduate (Film Theory and Practice) who sees films as a tool for change and awareness. He now specialises in documentary films, and dabbles in the other arts. His first (student) film, Lost Prophets, about South African hip hop pioneers, Prophets of da City, played at Encounters in 2007. He works freelance as a director and camera operator and recently directed Headwrap (Plexus Films), an arts and culture reality show for SABC1. He is a Documentary Filmmaker’s Association board member.
A History and Music graduate, Jooste has worked in the arts and culture sector since 1991, has a passion for researching socio-political issues and the psyche of people in post-apartheid South Africa. Jooste has completed 10 documentary films to date, and in 2007 she received a SAFTA for her film Betrayed. She is currently a bursary holder of a Masters Degree in History at Stellenbosch University and her latest film, Captor and Captive, will form part of her thesis submission.
A Masters graduate (Social History, WITS 1997), Desai has been a trade union organiser, a health and safety/media officer for a chemical workers union and a Director of an HIV prevention NGO, all since his return from exile in the UK. He began working in the television and film industry as a current affairs journalist. He has a postgraduate degree in production from AVEA and has produced over 20 films, which have been broadcast internationally and at international festivals. He is the Festival Director of the Tri-ontinental Film Festival.
Kingwill was a freelance journalist for 20 years, and then began researching for production companies in 1999. In 2001, Kingwill took part in Encounters filmmaking workshop, Close Encounters, where she developed the script for Buried in Earthskin – based on her published article in the Big Issue. She raised the funds for the film at the World Summit for Sustainable Development in 2002 from Wilderness Wisdom Fund, and the Heinrich Böll Stuftung in 2004, and finally from the NFVF in 2008 through her company Earth Shine Productions.
BIG FISH COMPILATION (X 6)
Raimondo is the founder and managing director of African Renaissance Productions. Previously he worked for Cambridge University and the World Conservation Union and has been working in the television industry since 2003. He has directed and produced over 50 films for the SABC including the Healing Power of Nature series.
Forbes, an award-winning cameraman, began as a runner 27 years ago and has worked across the globe. The Cradock Four, mostly self funded, took him 7 years to make and included a court case against the Department of Justice in order to gain access to the records pertinent to this film. He is founding member of the IPO and a member of the DFA.
As a member of Idol Pictures, Blankenberg has made several films about aspects of South African society. Currently she is the Deputy-Director of Community Media Trust (an NPO specialising in media, outreach and training), and the Director of Siyayinqoba Beat It!, the weekly educational TV show. She uses film to combat gender-based violence.
Mokwena’s work, as a writer, painter, historian, museum curator and independent filmmaker, is about history, memory and healing. A youth development advocate for over 15 years, Mokwena now uses film to find creative, compelling audiovisual language that can communicate ancestral memory in the digital age to a new generation. His titles include A Blues for Tiro (SAFTA 2008), Come Guerilla and Our Father who Art in Memory. Mokwena is currently working on a feature length documentary, Rebirth of the Bhundu Spirits.
Mogoatlhe, a Mesa Films Young Talent, has worked as a director since graduating from City Varsity in 2005. She is interested in the issues of cultural identity, erased memory and music. She is currently completing her MA in documentary film at Sussex University in the UK.
Congolese born Pululu began directing in 2002 and had made 3 short films when he took part in the 2008 Berlinale Talent Campus. His proposal for Forgotten Gold was one of 12 chosen for the Berlinale’s Doc Station and for the INPUT Made in Africa workshop, and made the 18 minute Silent Response for the Encounters African Shorts series that same year. He continues to make documentaries here and in the DRC.
Geldenhuys is a human rights lawyer and a documentary filmmaker, the founder of Frank Films and the founder director of ProBono.Org. Her films include Being Pavarotti and Grietjie van Garies, which won the 2005 Encounters Audience Award. She has directed educational and informational films for NGOs and two talk show series on ethics and morality.
Brockhaus is a graduate of the London
College of Communications, University of
the Arts and, after yearsworking in the
industry, is currently studying documentary
direction at the Munich University of
Television and Film (HFF).
Wolff, at age 15, became a professional
windsurfer competing in the World Cup
Tour. After a
Bardsley has been in the TV and Film industry for over 20 years. He produced the first televised sports quiz show in South Africa, and now works around the world on major sports broadcasts. Heavily involved in the 2010 World Cup, Bardsley went into the Cape Flats to produce a 3 minute insert. 2 years later it is now a 52 minute collection of raw and compelling tales about gangs, drugs and the beautiful game. This is his first documentary.
Delestrac, a Law and Journalism graduate, made his debut in non-fiction filmmaking in 2001 and has directed a number of hits including the IMAX blockbuster Mystery of the Nile and Pax Americana and the Weaponization of Space, his first feature documentary. Delestrac currently resides in Barcelona where he runs Intrepido Films.
Richen, born and bred in Harlem, has a Bachelor’s degree (Brown University) and a Masters in City Planning (UC Berkeley), is an adjunct Professor at the City University of New York Graduate School of Journalism and the recipient of numerous grants, including a Fulbright Award and a Diversity Development Fund grant from the Independent Television Service (ITVS).
Yon is Associate Professor of Anthropology and Education at York University, Toronto, and a Research Associate in Anthropology at the University of Cape Town. A St Helena native, he has lived in southern Africa for substantial periods of time since the 1980s and was initially drawn to Sathima’s story by her St Helena roots.
Mthiyane, born in Inanda, has a Diploma in Video Technology from The Durban University of Technology. Further study included the Encounters Close Encounters Laboratory and a Binger Institute documentary film course. Her film Ikhaya premièred at Sundance, and Baraka was broadcast on BBC World. She has been invited to the Rotterdam, Berlin and Goteborg film festivals to screen her films.
Hendricks, whose films are mostly subjective and personal, describes himself as the “son of a fisherman who became a poet instead”. He has collaborated on numerous films and has produced and directed 8 of his own films to date. The Last Voyage (2009) received a Golden Horn nomination for cinematography at Zanzibar, and A Fisherman’s Tale received Jury Special Mention at the Apollo Film Festival in 2004.
Menell made documentaries for the BBC and ITV in the 60s and was banned from working in South Africa in 1969 after a series he made for Thames TV outraged the apartheid regime. Menell lived and worked in South America, making documentaries in Brazil, Cuba, Argentina and acting as deputy director general of Chile’s national TV channel at the time of Salvador Allende’s regime. In 1990 he made Dick, which gained him world-wide notoriety. In l996 his film Mandela was nominated for an Oscar. Currently he coproduces and co-directs Street Talk for Cape Town TV (CTV).
Loveland’s Unhinged is his first film. Previously he made a living as an entrepreneur, picking up work in an array of fields, from event producing to furniture removals, writing, research and DJing, all experiences which (except the furniture removals) contributed to the making of this film. |
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